Sino | ||||
---|---|---|---|---|
Studio album by Café Tacuba | ||||
Released | October 9, 2007 | |||
Recorded | Sunset Sound, Hollywood, California Additional recordings in El Ensayo, Satélite, México |
|||
Genre | Art rock, Latin rock | |||
Length | 57:35 | |||
Label | Universal Music Mexico | |||
Producer | Gustavo Santaolalla Café Tacvba & Tony Peluso | |||
Café Tacuba chronology | ||||
|
SiNo is the Latin Grammy winning sixth studio album by the Mexican band Café Tacuba, released on October 9th, 2007, in Mexico, Latin America and the United StatesThe band has once again worked with award-winning Argentine music producer Gustavo Santaolalla.
Four singles spawned off the album- "Volver a Comenzar", "Esta Vez", "Vámonos", and "Quiero Ver".
The full album leaked onto the internet on October 6, 2007.
On September 10, 2008, Café Tacvba became the leading nominee at the Latin Grammy Awards of 2008 with a total of six nominations: Album of the Year and Alternative Music Album, for Si No. The lead single "Volver a Comenzar" was shortlisted for Record of the Year and Best Alternative Song, the second single "Esta Vez" received nominations for Best Rock Song and Song of the Year. The band took the record for most Latin Grammys won in one night. "Volver a Comenzar" is featured prominently in the video game LittleBigPlanet.
Contents |
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic | [1] |
“ | CAFÉ TACUBA The greatest rock band in Mexico and -- to some ears -- possibly even the world returns with "Sino," its first studio record in four years... "Café Tacuba, has been Mexico's pre-eminent rock band for [over a] decade, and it keeps getting better and more ambitious... Café Tacuba dares to treat rock as art... better than almost all other rock these days... one of the most important bands in the hemisphere. a smart, cosmopolitan band with a broad streak of lighthearted surrealism. | ” |
— The New York Times[2]
“ | The group remains the marquee name in Spanish-language rock... Nobody has come along to seriously challenge the stature and influence of Café Tacuba. | ” |
— Los Angeles Times[3]